Point d'écoute

Point d'écoute

music and creation


Martin Bédard

Martin earned his master’s degree in electroacoustic composition under the direction of composer Yves Daoust and Andre Fecteau at the Conservatoire de musique de Montreal, graduating with honours. His keen interest in film language and sound culture should provide him ample new creative avenues to explore for future projects. He is currently a lecturer and a PhD student in electroacoustic composition with composer Robert Normandeau at Université de Montréal. He also teach at the Conservatoire de musique de Montreal in the electroacoustic composition class.

His music was presented in several events in Canada and abroad in particular at the: ICMC 2008 (Belfast, Northen Ireland, 2008), Inventionen 2008 (Berlin, Germany, 2008), ACMC 2008 (Sydney, Australia, 2008), Chicago Sound Experience (Chicago, USA, 2008), ElectroMediaWorks ’08 (Athens, Greece, 2008), Los Angeles Sonic Odyssey (LASO) (USA, 2008), Erreur de type 27 concerts series (Quebec, Canada 2008), Society for Electroacoustic Music in the United States (SEAMUS), (USA, 2008), Bradyworks concerts series (Montreal, Canada, 2007), Electronic Music Midwest festival (Kansas city, USA, 2007), International Computer Music Conference (ICMC 2007, Copenhagen, Danemark, 2007), Sonoimagenes festival (Buenos Aires, Argentina, 2007), Fabbrica Europa festival (Florence, Italy, 2007), Immarts/TechArts festival (DeKalb, Illinois, USA, 2007), San Francisco Tape Music Festival (USA, 2007), Florida Electroacoustic Music Festival (USA, 2007), Cycle de concerts de musique par ordinateur, Université Paris VIII (France, 2006-07), Trans Canada release (ZKM, Karlsruhe, Allemagne, 2007), Seoul International Computer Music Festival (SICMF) (Korea, 2006), Synthèse 2006 (Bourges, France), Synthèse 2006 Festival (Bourges, France), Ai-maako — Festival Internacional de Música Electroacústica de Santiago (Chile, 2006), Sonorities Festival of Contemporary Music (Belfast, UK, 2006), International Biennial for Electroacoustic Music of São Paulo (V BIMESP 2004, Brazil), International Rostrum of Electroacoustic Music organized by UNESCO (Roma, Italy, 2004).

He was finalist at the IV Concurso International de miniaturas electroacústicas Confluencias 2006 (Spain, 2006), winner at the Jeux de temps/Times Play Competition (JTTP) de la Communauté électroacoustique canadienne (CÉC) (Canada, 2003, 05), finalist at 3rd Annual International Acousmatic Music Competition Métamorphoses d’Orphée (Brussels, Belgium, 2004), lauréat d’une résidence de composition au Centre de création musicale Iannis Xenakis (CCMIX) (Paris, France, 2003), winner of a composition residency at the Centre de création musicale Iannis Xenakis (CCMIX) (Paris, France, 2003). His work has been supported by the Canada Council for the Arts, Conseil des arts et des lettres du Québec (CALQ), Fonds québécois de la recherche sur la société et la culture (FQRSC), Centre d’arts Orford, Faculté des études supérieures of Université de Montréal.

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Martin Bédard

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